Customize monitor profiles with integrated speaker tuning. The Pro Tools MTRX is a Pro Tools HD interface that allows you to implement your own I/O needs to design an interface specific to you. In theory, I could have as many as eight 128 channel Dante cards, plus the cheaper 64 channel Dante card for a maximum 1088 channels. I do have XLR patch bays on another studio rack, where my outboard preamps sit. Avid Pro Tools MTRX Studio Interface and Monitor Controller Avid MTRX Studio is a DigiLink Audio Interface that provides the superior sound quality of DAD’s legendary converters, plus 18x22 analog + 64x64 Dante + 16x16 ADAT I/O, with flexible routing, integrated monitor control with speaker tuning, and support for Dolby Atmos 7.1.4. To get 64 channels into Pro Tools, the MTRX Studio needs to be hooked up by mini-Digilink cables (which means hooking it to the Native PCIe/Thunderbolt or HDX card) to the system running Pro Tools Ultimate software. I’ll be honest here and say this was an issue for me as I spend about 50% of my time in Pro Tools and the rest in native DAW’s like Logic and Studio One. Pro Tools | MTRX Studio. My first sound card (as they were called back then) was an Emagic Audiowerk 8, that I had in a Pentium 133 computer. Route required channels in Dante Controller. Pro Mon monitor contro l functionality is available for EUCON ™-enabled Avid devices with MTRX Studio using DADman software. Outfit any room in your facility for Dolby Atmos mixing. Then, with an anti-static wrist strap attached, insert the Dante module onto the mainboard, securing it with a supplied screw. The MTRX is significantly more expensive than the MTRX Studio. I will be purchasing an 8 channel DA card enabling me to retire the Rosetta 800 to supply a mix to the ATC SCM45a’s and any other outputs I might need. Previously I used a Grace M905 as a monitor controller. Once I did all of this I have 64 of IO channels available to me in Pro Tools labelled as follows: In addition to this, I’ve reserved several of the MTRX’s AES outputs to feed my Kii Three and ATC monitors. This is still something I am investigating but my current plan is to position some Neumann KH80’s around the room, likely in a 7.1.4 configuration, with a beefy subwoofer. I haven’t talked much about the quality of the analogue to digital converters. Simplify and extend your workflow with Pro Tools | MTRX Studio, Discover the advantages and what you can do with MTRX Studio. All this for the same price as the base MTRX. It might be a bit more complicated than a typical audio interface but the sheer number of channels, combinations and possibilities mean you do need to plan the way you approach this. There’s 16 channels of LED metering available on the front panel, along with nine buttons, rotary controller, two instrument inputs and two headphone outs. I’m also looking to add a few more Dante headphone amplifiers in the form of Focusrite AM2’s and expect to purchase the SPQ Speaker Processing Card fairly soon as well. The obvious one is cost. With speaker calibration built directly into the interface—the same SPQ speaker processing technology available as an option for Pro Tools | MTRX—you can tune your room for any session format. Which version of Pro Tools is right for me? The second reason is the way in which the Red 16Line emulates being an Avid interface means it isn’t sample-accurate for hardware inserts, so when using my outboard compressors I was unable to use them to parallel compress audio without having to manually correct the audio placement. We collect and use personal information, such as cookies, in accordance with our Privacy Policy. Plus, get ultra-low latency when tracking with Pro Tools | HDX or HD Native, enabling artists to perform at their best. Amazing 64-channel Pro Tools HD interface with massive routing matrix, extensive monitor control, and precision DAD conversion, can be the nerve center of any studio—regardless of audio format, size, or existing I/O My disinclination to use ADAT meant that the Red 16Line was essentially a 48 channel interface and I had used up all 48 channels, and then some. And toggle between multiple speaker sets directly from the included DADman software or your Avid control surface. Route between connectivity formats. Pro Tools | MTRX™ Studio simplifies your signal flow, providing connections to all your gear. Bring creative efficiency to your studio with powerful I/O, monitoring, and routing capabilities in an all-in-one audio interface. Create easy cue mixes over Dante. The UA devices are already in use elsewhere, and I didn’t fancy having to move them. Pro Tools MTRX Studio Price And Availability. I found myself having to enable or disable channels in Dante Controller in order to patch things in. The MTRX is a flexible, fully modular unit allowing you to customize the I/O options and interface from a variety of choices such as analog or digital inputs/outputs, high-quality mic pres, Dante, MADI and much more. It also features support for Dolby Atmos, a 512x512 routing matrix and is EUCON enabled, allowing it to be a central hub for your studio including acting as a monitor controller. MTRX Studio is perfectly suited to music production but if you are recording multiple musicians then you will need to connect external mic pre-amps to the line inputs and use either the line outs or Dante to connect additional headphone pre-amps for cue mixes. Unlike my previous system I can set the inputs to be switched (one at once) or summed (monitoring multiple input signals at once), which has been a real workflow improvement. I am still in the honeymoon period with the MTRX but so far I’m extremely pleased with it. DAD are known for making some of the best sounding converters on the planet and they do not disappoint at all. Even still the basic setup only took a couple of hours. Consolidate multiple devices, declutter your signal chain, and save rack space with a versatile audio solution that extends your workflow possibilities. The great thing about the Red 16 Line was I could switch from Thunderbolt to HDX at the flick of a switch. Axe FX III guitar modeller from MTRX Analogue Input. Trusted content from independent music and post production experts. MTRX Studio features 2 mic inputs, 2 instrument inputs and 16 line level inputs. With Digital Audio Denmark’s precision audio converters and mic preamps, you can capture and hear every vocal, instrument, and sound performance in great detail. The MTRX Studio will be priced at $4,999 USD MSRP and Avid says that in terms of availability that it is ‘coming soon’. Media Composer supports both AAX and AVX plugins. MTRX is the unified AD/DA and monitor controller in my studio. These two simply fit into slots and are secured with a couple of screws. MTRX has a slot for an optional I/O mini-module (MADI or Dante): The MTRX Dual MADI I/O Card uses “Small form-factor pluggable” (SFP) transceiver modules, which provide 2 x 64 MADI channels (optical or coaxial). James Richmond is a producer/engineer based near Oxford. Avid MTRX Studio – Your Studio Centerpiece. Bring creative efficiency to your studio with powerful I/O, monitoring, and routing capabilities in an all-in-one audio interface. Plus, get ultra-low latency when tracking with. To start with I have 16 channels of analogue input and no analogue outputs in the MTRX because I am feeding my monitors via AES. The base model MTRX and the MTRX Studio are the same price - around £4999 but the MTRX Studio is a complete device. Avid's recent hardware launches change the game for HDX and HD Native users. Seems perfect, right? Another issue is a lack of Native/Thunderbolt support for the MTRX (and the MTRX Studio for that matter). PRO TOOLS | MTRX STUDIO Your studio centerpiece KEY FEATURES › Streamline your studio with an interface that combines I/O, routing, and monitoring in one › Get the versatility and advantages of Pro Tools | MTRX in a more compact interface › Capture and hear every audio nuance through DAD’s precision audio converters and premium mic preamps Another workflow improvement is I can use Avid Control and my Avid Dock to control the sources. It seems a bit inexplicable that in 2020 Avid does not make an interface that offers decent native latency. Students, teachers, and educators can get a substantial discount on Sibelius | Ultimate. CRAIG BAUER, GRAMMY-WINNING PRODUCER AND MIXER (KANYE WEST, HALO CIRCUS, THE CLARK SISTERS) Analog I/O I needed to find something else and ideally something I could not grow out of anytime soon. As such, I only worked briefly with analogue tape, then with a couple of digital tape solutions (Alesis ADAT and Tascam DA88’s) before dipping my toe into the world of computer-based audio recording. Easily transition between music and audio post production—from mono to immersive audio. So when asked by good friends and long time profes… Outfit This is really where the MTRX comes into its own. The Rosetta 800 is connected to the MTRX via AES. Plus 16Line has both digilink and TB3 built-in, making it more flexible for running either HD or natively. Pro Tools | MTRX—The highest standard in premium studio-quality sound Corporate Headquarters 800 949 AVID (2843) Asia Headquarters + 65 6476 7666 Europe Headquarters + 44 1753 655999 ©2019 Avid … The cost of the interface was already sunk and although I could sell it for a decent price I figured that repurposing it would be the better route to take. It eliminates manual tasks and physical patching, keeping you in your creative flow—and in your seat. In addition to those, I had a few other Dante capable devices, a Focusrite X2P, a couple of Audinate AVIO converters and several computers running Dante Virtual Soundcard. It is even possible to … Oh, how things have changed. Digital Audio Denmark (DAD) have been kind enough to loan me a pair of MOM (Monitor Operating Modules) to experiment with, allowing me to change monitor settings from a dedicated hardware unit. Think Pro Tools On Windows Is Fragile? It is very different with the MTRX. One Pro Tools To Rule Them All - Is It Time For Avid To Do This? It has addressed all of the issues I had with the Red 16Line as my studio hub and given me much more capability overall. I’m currently using anywhere from 40 to 64 channels of Dante and the MTRX Studio has a maximum of 64, whereas the MTRX can be expanded beyond the 64 channels. The Avid Pro Tools | MTRX Studio is a versatile, self-contained I/O, monitoring, and routing unit optimized for music and post-production facilities of all sizes. Get ample analog and digital connectivity—including Dante, DigiLink, and ADAT—to connect your outboard gear, mics, speakers, and more. However, Avid announced their partnership with DAD with the Pro Tools|MTRX at the 114thAES Convention in LA in October 2016. The MTRX Studio will be an attractive option for people who want mobile rigs yet still require Dolby Atmos monitoring. Focusrite A16r One Analogue Out 1-8 (outboard), Focusrite A16r One Analogue Out 9-16 (outboard), Focusrite A16r Two Analogue Out 1-8 (outboard), Focusrite A16r Two Analogue Out 9-16 (outboard), X2P (headphones), rest of the channels unused, Focusrite A16r One Analogue In 1-8 (outboard), Focusrite A16r One Analogue In 9-16 (outboard), Focusrite A16r Two Analogue In 1-8 (outboard), Focusrite A16r Two Analogue In 9-16 (outboard), X2P (synth submix), rest of the channels unused. Admittedly that number is a very healthy 32 channels but I particularly like working in a hybrid fashion so wanted at least the option of being able to expand beyond that limit. I would much prefer the Red 16Line to have had no ADAT channels at all and more Dante channels. In my previous configuration, many of the outputs on the Red 16Line were unused. I have to admit that these days rarely do I get overly excited about a new piece of gear, but the Pro Tools|MTRX (and the DAD AX32 that went before it) have been of interest for quite some time, to the point where I solicited quotes for an AX32 a while back. I’ll be covering this in a future review, suffice to say MOM is very powerful and capable. Avid Pro Tools | MTRX Studio leverages the multifunction qualities of Pro Tools | MTRX, but in a more compact yet fully loaded interface optimized for mid-size music and audio post production studios. It eliminates manual tasks and physical patching, keeping you in your creative flow—and in your seat. There is another advantage to using the Red 16 Line in this way because any Dante transmitter can be sent to multiple destinations (called receivers in Dante-speak). The Avid Pro Tools MTRX Studio offers extensive routing capabilities and ultra-low latency monitoring. If I run out of Dante channels in the MTRX I can add a 128 channel expansion card (or two). Get the quality, flexibility, and creative efficiencies of Pro Tools¦ MTRX, optimized for mid-size music and audio post production. James Richmond has recently taken delivery of a new Avid MTRX. My approach is to never put anything on a bantam patch bay that can be harmed by hot patching. From the 64 channels of Dante and DADman's 51x512 matrix, the MTRX Studio lets you route any input to any output regardless of the connectivity formats. Specification. Due to the pandemic, I didn’t get a chance to A/B the conversion quality of the MTRX against the MTRX Studio - I believe that the converters are different but I don’t expect the MTRX Studio to be an order of magnitude worse than that MTRX. Copyright (C) 2020, http://www.pro-tools-expert.com/default-image.jpg, Plug-in Subscription Plans - Free Calculator, Dante For The Small To Medium Sized Project Studio. For my way of working Pro Tools HD was simply brilliant because I could, at the time, use the Digidesign hardware with Logic as the software front end. In the end, I decided to repurpose the Red 16 Line as a purely native audio interface- latency is very good - 4ms roundtrip, 1.9 on output at 48 kHz, with a 64 sample buffer. After replacing the case top and securing the screws the MTRX was ready to be put into the rack. The Value Of Second Hand Pro Tools HDX Cards & HD I/O Systems Are Dropping Fast - Now Could Be A Good Time To Grab An Avid Bargain, Is It Worth Recording & Mixing Your Songs At 192kHz Sample Rate? Have the I/O channels, speaker processing, and monitoring control you need to support 7.1.4 and larger setups for Dolby Atmos mixing. An HDX compatible interface with 16 channels of ADA, with a couple of preamps onboard, a pair of HiZ inputs, a pair of headphone outputs and 16 channels of ADAT plus 64 Dante versus the Red 16Line’s 32. 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